Picture Framing
News — Issue No.
1 —
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Tips On Mats
And Dry Mounting
Better Ideas for Framing Your
Picture
Hi there! Welcome.
In this first issue, we’re offering tips on how
to get the most out of your framing purchase.
— C O N T E N T S —
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A Word on Dry Mounting |
|
Mats: Why and When You Should
Use Them |
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About Paper Mats |
A
Word on Dry Mounting
Most of us like to see a picture flat
after it’s been framed. That’s really easy if it’s
a poster, photo or some other flat object. We include
dry mounting at no extra cost at the time of framing
your picture.
If you have an original piece of art that was
painted on paper with acrylic paint, oil, or some
other wet substance, chances are it will have some
ripples and rolls in it. If you want to see your
original work flat and want it dry mounted, it’s
possible to do so, though not recommended. We need
your permission in any case.
MATS Why
and When You Should Use Them
What is a mat, and
what is it used for?
A mat is a border that surrounds your picture
or art and enhances the look. It can be a paper
mat or a fabric mat. Both are available in a wide
range of colors and finishes.
The mat helps break up the closed-in look when
a picture is framed up to the edge. A mat can also
be used to crop out unwanted areas of pictures or
photos, just as a photographer does in the darkroom.
Paper mats are the most common used in picture
framing. See below for more information on paper
mats.
Fabric mats, which include cotton, linen, silk,
rayon, and other fabrics, are used mostly for more
serious pictures or original oil paintings.
About
Paper Mats What is Museum Board and Acid-Free Board? How
Do I Know Which One is Best For Me? How
Do I Tell the Difference?
How
Much Does it Cost?
“Just make my art look
beautiful; I don’t care how much it costs.”
We love customers like that, and
we realize you may not have the time to really learn
about framing language and methods. This is a short
course in what kind of mat board to choose when
framing your art.
Museum Board vs Acid-Free Board
Museum board is the ultimate treatment for any
piece of fine art. Another name for museum board
is “rag” board because this board is made from cotton,
as opposed to acid-free boards which are made from
wood pulp. The board made from wood pulp will leave
a brown line around your art whereas the rag cotton
board will not do that.
How do I tell the difference?
Cotton only comes in one color. So, if you look
at a “rag” mat from the side, you’ll see white.
The top of your rag mat might be a color, but the
“core” is white. On the other hand, acid-free mats
have a brownish cast to the core. All mat boards
today are acid-free. They are either labeled “Rag
Board” or “Acid-Free Board”.
Which one do I want?
If you’re framing a family snapshot photo, magazine
article, printed art or movie poster and you want
a mat around it, the acid-free mat is fine.
If you’re framing fine art, you would want to
use museum rag board. Examples of fine art would
be original works of art such as signed editions
or prints of photographs, lithographs, serigraphs,
old etchings, woodblock prints, or anything created
or printed on rag paper itself that is deserving
of fine art treatment.
What does rag board cost?
About one and one half times the cost of acid-free
board. Better to have rag board around your art
than a brown mat burn. Rag is forever. It’s the
ultimate treatment for your art. Ask for it when
framing your next fine art!
Click here for our
next newsletter, which contains a special report,
Consumer Awareness
Guide - Tips And Facts You Should Know Before
Framing Your Next Picture
Copyright © 2010 greygooseframing.com and Mike Trujillo
All Rights Reserved. Reproduction without permission prohibited |